If you enjoyed this book, you’re going to love the map.
This is a profoundly moving book made all the more poignant for the era in which it was written.
Paton was prophetic in his foreshadowing of the grave injustices to come in the unfolding history of South Africa. The events of this book were to become a clarion call for equality, forgiveness and understanding. In fact, this book is still very much relevant in our polarised 21st century world.
I’ve visited Africa many times. My family lived in two countries there and I’m quite familiar with the varied cultures of that continent. The way this book is written shows a remarkable understanding of the cultural viewpoint of black Africa. It’s not just the events that grip you. From the opening line, the lyrical qualities of this book bore me back to the relaxed, friendly, nature-loving and yet splintered cultures I’m familiar with. It isn’t just that Paton paints a picture of what South Africa is like, he envelopes you in it through his style. It is truly remarkable.
The characters are strong too and very carefully balanced. The book is also measured in such a way that Paton only writes what he feels needs to be said. But it’s not pared down to the minimalist bone as Coetzee is. It’s much more beautiful than that. In fact, it’s interesting to compare the two styles bridging an immense gap of cultural change in the history of that nation.
There is a lovely road that runs from Ixopo into the hills.
[The hills] fall to the valley below, and falling, change their nature.
If you’ve got Google Earth installed on your pc, you can actually see the locations mentioned in this book by downloading Arukiyomi’s Google Earth – Cry, the Beloved Country file.
But when the dawn will come, of our emancipation, from the fear of bondage and the bondage of fear, why, that is a secret.
terrible > poor > mediocre > okay > good > very good> excellent > superb