0518 | The Female Quixote | Charlotte Lennox


For its time, this is a pretty readable and engaging bit of writing that isn’t overlong and makes clever use of wry humour as it takes a dig at romance novels and their effect on particularly feminine fantasies. It’s kind of like an 18th century version of Cold Comfort Farm.

Arabella is the protagonist who falls under the spell of the masses of romantic literature she plunders from her father’s library. In this, Lennox was parodying the spell that Don Quixote falls under from books of chivalry that turn his brain.

For me, the ludicrous situations that Arabella ends up in as a result of her delusions were as humorous as that of the Don. Through this, Lennox is also able to comment on the influence of literature, just as Cervantes was able to comment on the social mores of his day.

For this, Lennox deserves (and received at the time) great credit, particularly as the 18th century wasn’t the easiest period of literary history for a woman to get herself published.

The plot is well complicated by the fact that, on his deathbed, Arabella’s father insists that the only way to come into her full inheritance is to marry her stable, well balanced and affectionate cousin Glanville. However, his normality is a far cry from her fantasies and this provides for many of the crises throughout the novel.

It all ends reasonably enough though with Arabella regaining her senses and predictably marrying her suitor, but it’s a fairly engaging ride along the way.


The Marquis of ——, for a long series of years, was the first and most distinguished favourite at court: he held the most honourable employments under the crown, disposed of all places of profit as he pleased, presided at the council, and in a manner governed the whole kingdom.


This might reveal the ending. If you want to see the quote, click show

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Key: Legacy | Plot / toPic | Characterisation / faCts | Readability | Achievement | Style

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