Context: listened to this while auditioning for Charlie Brown the musical. Got the lead role.
This is the story of a young woman who, somewhat naively, leaves home to make a life for herself in Chicago. Unlike most novels of this sort, where the author quite predictably causes everything to fall apart at some point to teach similarly tempted other youngsters to tow the social line and stay at home, no such thing happens. At least, not to her.
Instead, Carrie finds herself befriended by men who obviously want her for her physical charms. That they should seems as natural as anything to innocent Carrie and she has no moral issues with providing their needs. She eventually marries (kind of) under circumstances that aren’t entirely clear to her for quite some time. In the end, she overcomes the difficulties that her new husband succumbs to and makes a life for herself which he can’t quite cope with. I’ll leave you to discover the rest.
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Context: read this while sitting in the desert during lunchtime at work
Massively influential in French literature at least, this story of unrequited love is a eulogy to virtue whose message should be more widely known outside its native land.
Wikipedia will give you a decent plot summary and overview of its significance. For me, the novel was somewhat hard to access because of the original style it was written in. It was a case where knowing the plot and what would take place in advance actually helped me follow the events in the novel as they unfolded. Without that, I might have emerged none the wiser.
What’s very apparent though is the refusal of the eponymous Princess to compromise her morals. Not only does she refuse the advances of the Duke de Nemours by committing adultery while married, once her husband had died, she refused to be unfaithful to his memory. This despite not being able to love her husband as he [click to continue…]
Context: was reading this when we barely broke even at a sale at a nursery. Never again!
So, this is one of those novels for which an understanding of the historical context is essential for a full appreciation of its significance. The era is the early 1850s and Russia stands on the brink of the Crimean War as it manoeuvres to take advantage of weakening Ottoman Empire. Also standing to gain are those who dream of independence from Ottoman oppression.
One such is the hero of On the Eve, Insarov, a Bulgarian who, though in Russia, makes forays back to his homeland and is part of a network of nationalists chomping at the bit to be let loose on the retreating Turks. But while Insarov is the hero, he’s not the main focus of the story.
Meet Elena, fending off less than suitable suitors while her life slips slowly by. Her world is transfixed after her introduction to Insarov and thus begins a love story which is ignorant of the boundaries of class, politics, familial or national allegiance.
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Context: Visited The Nest art exhibit in Adliya while reading this.
This is a quirky story told from the perspective of each member of a family who rent a holiday home in the English countryside for the summer. When a mysterious stranger arrives, you get a facet of her from each description but never enough to complete the whole picture of who she might be. There’s a twist in the tale once the mother throws her out though.
It’s so often true that, within a family, walls exist which prevent us seeing others and others seeing us as we truly are. We will, however, often let strangers see parts of us that we keep hidden from our relatives. The Accidental shows what can happen when that occurs.
This is not an excellent novel, but it is good enough because it asks questions about how we view ourselves, the views of ourselves we present to others and about our own views of others. Throughout the book, you are often presented with two or more views of a character [click to continue…]
Context: The wife finished off a stack of squares for a baby blanket while I was reading this.
Many years ago, Underworld scarred me for life. Then I read White Noise. Had it not been recommended by a great friend, I would never have returned to DeLillo. I was very surprised to find an excellent novel. Falling Man settles between the two somewhere towards the Underworld end of the spectrum.
Thankfully, it’s about the same length as White Noise. Had it been as long as Underworld, it would have been very, very tedious. DeLillo loves to play around with structure. Whereas in Underworld he did that to the detriment of the entire novel, here it kind of works because he’s chosen a subject which lends itself to fragmented structure: the life of a Keith, a 9/11 survivor.
The novel starts on the apocalyptic streets of New York while he attempts to make sense of his new world. Gradually you piece together his life as you see things from the perspective of his relatives and acquaintances but there’s no point where it all really [click to continue…]